"Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta" by Maximo Diego Pujol, Ricardo Cobo was released on November 29, 2003. The duration of Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ricardo Cobo's "Latin American Guitar Music" album is number 12 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta by Maximo Diego Pujol, Ricardo Cobo to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deutsche Weise (German Air) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 101 BPM | ||
Garota de Ipanema (Girl from Ipanema) | Antônio Carlos Jobim, Graham Anthony Devine | E Minor | 0 | 9A | 174 BPM | ||
Homenaje a Tarrega: II. Soleares | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 148 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Cataluña | Isaac Albéniz, Margarita Escarpa | G Minor | 1 | 6A | 80 BPM | ||
The Gnomes, Op. 77 | Ernest Shand, Alexandra Whittingham | E Minor | 4 | 9A | 130 BPM | ||
Tango Angelita | Celedonio Romero, Vicente Coves | A Major | 1 | 11B | 97 BPM | ||
Bardenklänge, Op. 13: Unruhe (Restlessness) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Minor | 1 | 5A | 112 BPM | ||
María | Maximo Diego Pujol | E Minor | 2 | 9A | 81 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): II. Cataluna (Corranda) | Jason Vieaux, Isaac Albéniz | G Minor | 1 | 6A | 78 BPM |
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