"Requiem for Cello Alone: I. Introit" by Peter Sculthorpe, Pieter Wispelwey was released on January 1, 1995. The duration of Requiem for Cello Alone: I. Introit is about 3 minutes long, at 3:25. Based on our data, "Requiem for Cello Alone: I. Introit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pieter Wispelwey's "Hindemith, Sessions & Ligeti" album is number 3 out of 20. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Requiem for Cello Alone: I. Introit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem for Cello Alone: I. Introit by Peter Sculthorpe, Pieter Wispelwey to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Maxim Bernard | F Major | 0 | 7B | 134 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
December 32nd - Piano Solo Version | Julius Asal | C Minor | 3 | 5A | 76 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Night Pieces: No. 2. Moon | Peter Sculthorpe, Ananda Sukarlan | D♭ Minor | 0 | 12A | 68 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Meditation | G. I. Gurdjieff, Thomas de Hartmann, Alessandra Celletti | D Minor | 0 | 7A | 176 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM |
Section: 0.7524633407592773
End: 0.7562875747680664