Oscar Straus, Herbert Ernst Groh, Willy Hofmann made "Ein Walzertraum, Act I: Dialog 4 (Niki, Montschi)" available on September 29, 2014. With Ein Walzertraum, Act I: Dialog 4 (Niki, Montschi) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Straus: Ein Walzertraum". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Ein Walzertraum, Act I: Dialog 4 (Niki, Montschi) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ein Walzertraum, Act I: Dialog 4 (Niki, Montschi) by Oscar Straus, Herbert Ernst Groh, Willy Hofmann having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Rigoletto: Scorrendo uniti remota via | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 118 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Roman Festivals, P. 157: IV. The Epiphany | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | B Major | 2 | 1B | 124 BPM | ||
Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
8 Slavonic Dances, Op. 46: No. 4 in F (Tempo di minuetto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 13: Danse des cygnes | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Wolfgang Sawallisch | B Minor | 5 | 10A | 94 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction. Grave, Adagio cantabile | Max Bruch, Kirill Troussov, Christian Mandeal, Lübeck Philharmonic Orchestra | E♭ Major | 1 | 5B | 94 BPM | ||
Im süßen Traum, Op. 31 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM |
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