Yehudi Menuhin's 'Die Instrumente Des Orchesters, Viola: Gegenüberstellung von Violoncello und Kontrabaß / Vorstellung Kontrabaß' came out on 1961. With Die Instrumente Des Orchesters, Viola: Gegenüberstellung von Violoncello und Kontrabaß / Vorstellung Kontrabaß being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Yehudi Menuhin erklärt Die Instrumente des Orchesters by Various Artists, Yehudi Menuhin. The song's track number on the album is #14 out of 96 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Die Instrumente Des Orchesters, Viola: Gegenüberstellung von Violoncello und Kontrabaß / Vorstellung Kontrabaß is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Die Instrumente Des Orchesters, Viola: Gegenüberstellung von Violoncello und Kontrabaß / Vorstellung Kontrabaß by Yehudi Menuhin has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Instrumente Des Orchesters, Viola: Gegenüberstellung von Violoncello und Kontrabaß / Vorstellung Kontrabaß being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy, Paul Cocker | G Minor | 4 | 6A | 147 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Philharmonia Orchestra, Eugene Goossens, Yehudi Menuhin | A Minor | 2 | 8A | 83 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM |
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