"Dances with Wolves, Concert Suite: No. 7, Farewell and End Title" by Steven Rosenhaus, Fabrizio Castania, Orchestra Giovanile Del Veneto was released on June 1, 1998. With Dances with Wolves, Concert Suite: No. 7, Farewell and End Title being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "That's Sound! Music from Screen and Stage". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. Dances with Wolves, Concert Suite: No. 7, Farewell and End Title is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dances with Wolves, Concert Suite: No. 7, Farewell and End Title by Steven Rosenhaus, Fabrizio Castania, Orchestra Giovanile Del Veneto having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Strings from "Henry V": No. 2, Touch Her Soft Lips and Part | William Walton, Louis Lane, Cleveland Pops Orchestra | C Major | 2 | 8B | 54 BPM | ||
Sinfonía 39 Simbad el marino: 5. El alma perdida | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 80 BPM | ||
Tema di Cristine - Version 3 | Ennio Morricone, Bruno Nicolai | G Minor | 4 | 6A | 104 BPM | ||
Budapest Dawn | Astral Blu | A Major | 3 | 11B | 133 BPM | ||
Time in Reflection - Extended Version | A. M. Lawson, Alchemy Philharmonic | C Major | 4 | 8B | 141 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: V. Masks | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM | ||
No Jealousy Only Compliments | Laz Ukpo | F♯ Major | 0 | 2B | 104 BPM | ||
Sleepy-time: Suite IV | The McCaughey Septuplets | F Major | 1 | 7B | 97 BPM | ||
The Piper | Lily Jimeth | F♯ Major | 1 | 2B | 140 BPM | ||
They Liked Our Music - From the Netflix Film "Thelma the Unicorn" | John Powell | F♯ Major | 2 | 2B | 109 BPM |
Section: 0.5269310474395752
End: 0.5316579341888428