Nicol Matt, Jens Wollenschläger, Nordic Chamber Choir, Martina Rotbauer, Ute Petersilge, Johann Sebastian Bach, Robert Sagasser, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester's 'In Dich Hab' Ich Gehoffet, Herr, Weihnachtsoratorium Bwv 248' came out on March 28, 2007. With In Dich Hab' Ich Gehoffet, Herr, Weihnachtsoratorium Bwv 248 being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of In Dich Hab' Ich Gehoffet, Herr, Weihnachtsoratorium Bwv 248 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In Dich Hab' Ich Gehoffet, Herr, Weihnachtsoratorium Bwv 248 by Nicol Matt, Jens Wollenschläger, Nordic Chamber Choir, Martina Rotbauer, Ute Petersilge, Johann Sebastian Bach, Robert Sagasser, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | F♯ Major | 2 | 2B | 72 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 1, "Verzicht, o Herz auf Rettung" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | A Minor | 2 | 8A | 155 BPM | ||
Christus: VI. Choral "Er nimmt auf seinen Rücken" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Minor | 2 | 7A | 121 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The earth swallowed them (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Sanctus | Chamber Choir Of Europe, Isabelle Müller-Kant, Württembergische Philharmonie Reutlingen, Anton Bruckner, Eibe Möhlmann, Reinhard Geller, Daniel Sans, Christof Fischesser, Nicol Matt | D Major | 2 | 10B | 81 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 5: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 3 | 8B | 93 BPM | ||
Allein zu dir, Herr Jesu Christ | Johann Pachelbel, Dieter Glös | B♭ Major | 0 | 6B | 62 BPM | ||
Missa Sancti Spiritus, ZWV 4: Et unam Sanctam | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Was willst du dich, o meine Seele, BWV 425 | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM |
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