Erik Satie, Denis Pascal's 'Embryons desséchés, IES 17: I. d'Holothurie' came out on December 2, 2022. The duration of Embryons desséchés, IES 17: I. d'Holothurie is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Embryons desséchés, IES 17: I. d'Holothurie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Satie: Gymnopedies". In this album, this song's track order is #25. Furthermore, we believe that the track originated from France. In terms of popularity, Embryons desséchés, IES 17: I. d'Holothurie is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Embryons desséchés, IES 17: I. d'Holothurie by Erik Satie, Denis Pascal having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | ||
Adieu Nocturne No. 1 in A Minor -Adieu- | Carlos Marquez | A Minor | 1 | 8A | 99 BPM | ||
33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 0 BPM | ||
Adieu Nocturne No. 7 in C MInor -Ciao- | Carlos Marquez | C Minor | 2 | 5A | 85 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
minimal nocturne no. 4 | Carlos Marquez | D♭ Major | 2 | 3B | 123 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 63 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM |
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