Sir Edward Elgar, Paul Groves, Alice Coote, Sir Mark Elder, Hallé's 'The Dream of Gerontius, Op. 38, Pt.2: But hark! Low-born clods of brute earth' came out on 2008. With The Dream of Gerontius, Op. 38, Pt.2: But hark! Low-born clods of brute earth being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 60 in Elgar Oratorios by Sir Edward Elgar, Hallé, Sir Mark Elder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Dream of Gerontius, Op. 38, Pt.2: But hark! Low-born clods of brute earth's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Pt.2: But hark! Low-born clods of brute earth by Sir Edward Elgar, Paul Groves, Alice Coote, Sir Mark Elder, Hallé is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint Francois D'Assise / Premier Acte: Comment peut-on vivre une telle vie? (le Lépreux) | Olivier Messiaen, Chris Merritt, Hallé, Kent Nagano | C Major | 3 | 8B | 91 BPM | ||
Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
Concerto for Viola and Strings: II. Passionate and nostalgic | Dobrinka Tabakova, Hallé, Delyana Lazarova, Maxim Rysanov | A Minor | 0 | 8A | 88 BPM | ||
Mahler: Kindertotenlieder: No. 5, In diesem Wetter, in diesem Braus | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | ||
Variations on an Original Theme ('Enigma'), Op.36 | Hallé | E♭ Major | 1 | 5B | 64 BPM | ||
Suor Angelica: Tutto ho offerto all Vergine, sì, tutto | Giacomo Puccini, Dame Joan Sutherland, Christa Ludwig, National Philharmonic Orchestra, Richard Bonynge | C Major | 4 | 8B | 49 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Praise to His Name! ... Take me away | Sir Edward Elgar, Alice Coote, Paul Groves, Sir Mark Elder, Hallé | E Minor | 1 | 9A | 82 BPM | ||
7 Dikter, Op. 28: V. Jag längtar dig (I Yearn for You) | Hugo Alfvén, Claes-Håkan Ahnsjö, Folke Alin | D Major | 1 | 10B | 136 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | G Major | 0 | 9B | 104 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM |
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