"Grand Battement -Ballet "The Flames of Paris" Male Variation & Le Coraire Male Variation (Directed by Eunseok, Shin)" by B. Asafiev & A. Adam, Ballet pianist Mia was released on April 27, 2022. The duration of Grand Battement -Ballet "The Flames of Paris" Male Variation & Le Coraire Male Variation (Directed by Eunseok, Shin) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Grand Battement -Ballet "The Flames of Paris" Male Variation & Le Coraire Male Variation (Directed by Eunseok, Shin)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 34 in Ballet Class (Great vibes vol.2) by Ballet pianist Mia. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. Grand Battement -Ballet "The Flames of Paris" Male Variation & Le Coraire Male Variation (Directed by Eunseok, Shin) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Grand Battement -Ballet "The Flames of Paris" Male Variation & Le Coraire Male Variation (Directed by Eunseok, Shin) by B. Asafiev & A. Adam, Ballet pianist Mia is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz (From "Ruses D’Amours", Scene 4) [Pliés, 3/4: 16 X 8] | Normand Babin | B Minor | 1 | 10A | 107 BPM | ||
espera mi musica | culon trabon | D Minor | 0 | 7A | 68 BPM | ||
Pas Échappée Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | D Major | 1 | 10B | 90 BPM | ||
locura caliente | Indy ParkWay | C Minor | 0 | 5A | 180 BPM | ||
Rond de jambe a terre - Die Fledermaus Overture | Johann Strauss II, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
Paint | Renan Napoli | F Minor | 0 | 4A | 129 BPM | ||
Tendu 1 (Gavotte) [2/4] | Marina Surgan | G Major | 1 | 9B | 118 BPM | ||
Grand Allegros 1 -Waltz from "Masquerade" | Aram Khachaturian, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
Battement Tendu 3/4 (Waltz Op.39 n°15) | The Ballet Pianist | A♭ Major | 2 | 4B | 119 BPM | ||
ノクターン 第5番 | NAIX | B♭ Major | 2 | 6B | 117 BPM |
Section: 0.4758176803588867
End: 0.47943711280822754