"King of Kings Suite: VII. The Lord's Prayer (Arr. D. Robbins)" by Miklós Rózsa, Cincinnati Pops Orchestra, Erich Kunzel, The Tabernacle Choir at Temple Square was released on April 26, 2005. The duration of King of Kings Suite: VII. The Lord's Prayer (Arr. D. Robbins) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. King of Kings Suite: VII. The Lord's Prayer (Arr. D. Robbins)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Rózsa: Three Choral Suites". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Based on our statistics, King of Kings Suite: VII. The Lord's Prayer (Arr. D. Robbins)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King of Kings Suite: VII. The Lord's Prayer (Arr. D. Robbins) by Miklós Rózsa, Cincinnati Pops Orchestra, Erich Kunzel, The Tabernacle Choir at Temple Square having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now, Voyager | Charles Gerhardt | A Major | 3 | 11B | 101 BPM | ||
Roman Galley | Miklós Rózsa | B♭ Major | 4 | 6B | 60 BPM | ||
The Might of Rome | Hans Zimmer, Gavin Greenaway, The Lyndhurst Orchestra, Lisa Gerrard | A Major | 3 | 11B | 75 BPM | ||
Metropolis: I. Auftakt: Das Stadion | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 3 | 4B | 82 BPM | ||
The Prince of Peace, Pt. 2 | Miklós Rózsa | D♭ Major | 1 | 3B | 94 BPM | ||
Lounge Winter | Phoenix Lennox | F♯ Minor | 3 | 11A | 96 BPM | ||
Kings Row; Main Title (From "Kings Row") | Charles Gerhardt, Grover Helsley | B Major | 3 | 1B | 90 BPM | ||
Valley of Lepers | Miklós Rózsa | D♭ Major | 6 | 3B | 135 BPM | ||
The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
The Player - From "The Player" | Thomas Newman | E Major | 1 | 12B | 98 BPM |
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