Jacques Offenbach, Michel Plasson, André Batisse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Régine Crespin, Orchestre Du Capitole De Toulouse's 'Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick)' came out on September 15, 2023. The duration of Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick) is about 3 minutes long, at 3:12. Based on our data, "Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Offenbach: La vie parisienne, Act 2: Dialogue. "Et qu'est-ce que c'est que ce baron de Gondremarck ?" - Couplets. "Pour découper adroitement" (Métella, Gardefeu, Le Baron, Alphonse, Frick) by Jacques Offenbach, Michel Plasson, André Batisse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Régine Crespin, Orchestre Du Capitole De Toulouse having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM |
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