"Alcina, HWV 34, Act II, Scene 8: Ah! mio cor! schernito sei!" by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi was released on February 3, 2017. Alcina, HWV 34, Act II, Scene 8: Ah! mio cor! schernito sei! appears to be safe for all ages as it is not explicit. The track order of this song in George Frideric Handel, Sonya Yoncheva's "Handel" album is number 2 out of 11. On top of that, United States appears to be the country where this track was created. The popularity of Alcina, HWV 34, Act II, Scene 8: Ah! mio cor! schernito sei! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcina, HWV 34, Act II, Scene 8: Ah! mio cor! schernito sei! by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Floridante, HWV 14: Act I: Aria - Alma mia | George Frideric Handel, Catherine Robbin, Nancy Argenta, Ingrid Attrot, Linda Maguire, Hans Braun, Tafelmusik Baroque Orchestra, Alan Curtis | D♭ Major | 1 | 3B | 100 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
Sarro: Messa a 5 voci: "Laudamus te" | Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 113 BPM | ||
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 1, Aria. "Jauchzet Gott in allen Landen" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | B Major | 4 | 1B | 89 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Rosa del Ciel" (Euridice, Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 108 BPM | ||
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Ed. Wiesend) | Johann Adolf Hasse, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Minor | 5 | 6A | 137 BPM | ||
Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Pure del cielo intelligenze eterne" (Bellezza) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 94 BPM | ||
Stabat Mater in F Minor, G. 532: I. Stabat Mater dolorosa. Grave assai | Luigi Boccherini, Núria Rial, Orchester Le Phenix | C Major | 0 | 8B | 104 BPM |
Section: 0.6410689353942871
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