"Giulio Cesare in Egitto, HWV 17 / Atto primo: Recitativo "Quì nobile donzella chiede chinarsi" - Live" by George Frideric Handel, Magdalena Kozená, Marijana Mijanovic, Jean-Michel Ankaoua, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour, Mirella Giardelli was released on January 1, 2003. With Giulio Cesare in Egitto, HWV 17 / Atto primo: Recitativo "Quì nobile donzella chiede chinarsi" - Live being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski's "Handel: Giulio Cesare" album is number 17 out of 83. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Giulio Cesare in Egitto, HWV 17 / Atto primo: Recitativo "Quì nobile donzella chiede chinarsi" - Live's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17 / Atto primo: Recitativo "Quì nobile donzella chiede chinarsi" - Live by George Frideric Handel, Magdalena Kozená, Marijana Mijanovic, Jean-Michel Ankaoua, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour, Mirella Giardelli to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Tornami a vagheggiar" from Opera 'Alcina', HWV 34) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Major | 2 | 11B | 103 BPM | ||
Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act II: Prelude for the Witches. "Wayward Sisters, You That Fright" - Chorus. "Harm's Our Delight" (Sorceress, Chorus) | Henry Purcell, William Christie, Choeur des Arts Florissants, Claire Brua, Les Arts Florissants | E Major | 0 | 12B | 78 BPM | ||
Bizet: Carmen, Act 3: "Voyons que j'essaie à mon tour" (Carmen) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Magdalena Kozená | G Major | 0 | 9B | 83 BPM | ||
Mi palpita il cor, HWV 132c: IV. Se un di m'adora la mia crudele | George Frideric Handel, Luc Beauséjour, Marie-Céline Labbé, Amanda Keesmaat, Marie-Nicole Lemieux | A Major | 5 | 11B | 73 BPM | ||
Bizet: Carmen, Act 2:"Vivat! vivat le Torero!" (Amis d'Escamillo, Zuniga, Carmen, Frasquita, Mercédès, Moralès) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel, Simone Del Savio | C Major | 2 | 8B | 121 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo: Qual' vita è questa mai | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | G Major | 0 | 9B | 137 BPM | ||
La morte d'Abel: Questi al cor finora ignoti | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Minor | 1 | 8A | 95 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM |
Section: 0.5441064834594727
End: 0.5472640991210938