On April 25, 1988, the song "Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F-Sharp Minor, BWV 859" was released by Johann Sebastian Bach, Keith Jarrett. With Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F-Sharp Minor, BWV 859 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 48 in Bach: Das Wohltemperierte Klavier - Buch I (BWV 846 - 869) by Johann Sebastian Bach, Keith Jarrett. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F-Sharp Minor, BWV 859 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Das Wohltemperierte Klavier: Book 1, BWV 846-869: 1. Prelude in F-Sharp Minor, BWV 859 by Johann Sebastian Bach, Keith Jarrett is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 3. Allegro (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 4 | 5A | 111 BPM | ||
Sonata in G Major, K. 14 | Domenico Scarlatti, Lucas Debargue | G Major | 2 | 9B | 91 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
English Suite No. 2 in A Minor, BWV 807: IV. Sarabande | Johann Sebastian Bach, KaJeng Wong | G Major | 10 | 9B | 98 BPM |
Section: 0.7756295204162598
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