"Première suite en la mineur, 5ème livre: Prélude en Harpègement, Mouvement 1" by Marin Marais, Robin Pharo, code was released on January 18, 2023. The duration of Première suite en la mineur, 5ème livre: Prélude en Harpègement, Mouvement 1 is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Première suite en la mineur, 5ème livre: Prélude en Harpègement, Mouvement 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "Phonographies, Vol. 1: Marin Marais, Prélude en Harpègement". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Première suite en la mineur, 5ème livre: Prélude en Harpègement, Mouvement 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Première suite en la mineur, 5ème livre: Prélude en Harpègement, Mouvement 1 by Marin Marais, Robin Pharo, code having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Chamber Sonata No. 4 in G Minor: VI. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 112 BPM | ||
Sonata sesta for violino solo: II. Allegro [1] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 112 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM |
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