Alexander Scriabin, Gordon Fergus-Thompson's '10 Mazurkas, Op. 3: No. 6 in C-Sharp Minor' came out on June 14, 2019. The duration of 10 Mazurkas, Op. 3: No. 6 in C-Sharp Minor is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. 10 Mazurkas, Op. 3: No. 6 in C-Sharp Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 151 in the song's album "Scriabin: Piano Works". In this album, this song's track order is #88. Furthermore, we believe that the track originated from United Kingdom. 10 Mazurkas, Op. 3: No. 6 in C-Sharp Minor is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 10 Mazurkas, Op. 3: No. 6 in C-Sharp Minor by Alexander Scriabin, Gordon Fergus-Thompson having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Contemplatif-supplicare-con lagrime-devoto | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
Section: 0.8712332248687744
End: 0.8759257793426514