"6 Modern Lyrics: No. 6, Music, When Soft Voices Die" by Hubert Parry, The Choir of Magdalen College, Oxford, Mark Williams was released on April 22, 2022. The duration of 6 Modern Lyrics: No. 6, Music, When Soft Voices Die is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. 6 Modern Lyrics: No. 6, Music, When Soft Voices Die's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Sweet and Merry Month: Music for May Morning". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 6 Modern Lyrics: No. 6, Music, When Soft Voices Die's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Modern Lyrics: No. 6, Music, When Soft Voices Die by Hubert Parry, The Choir of Magdalen College, Oxford, Mark Williams having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
All in the April Evening | The Glasgow Phoenix Choir | E♭ Major | 2 | 5B | 144 BPM | ||
Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
Ave Maria (after J.S. Bach) | London Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
Farewell to Stromness (Arr. for Orchestra) | Peter Maxwell Davies, Philharmonia Orchestra, Christopher Warren-Green | D Major | 0 | 10B | 59 BPM | ||
Nunc dimittis in G Major | Herbert Sumsion, The Ecclesium Choir, David Leigh, Philip Stopford | E Minor | 1 | 9A | 119 BPM | ||
Parry: Dear Lord and Father of Mankind | Hubert Parry, Choir of King's College, Cambridge, Tom Bullard, Benjamin Bayl, Stephen Cleobury | E♭ Major | 1 | 5B | 120 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Prélude from "Te Deum", H.146 | Marc-Antoine Charpentier, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 111 BPM |
Section: 0.6430642604827881
End: 0.6484787464141846