Wolfgang Amadeus Mozart, Montserrat Caballé, Janet Baker, Ileana Cotrubas, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis's 'Così fan tutte / Act 1: "Ah, scostati!" - "Smanie implacabili" - "Signora Dorabella"' came out on January 1, 1974. Così fan tutte / Act 1: "Ah, scostati!" - "Smanie implacabili" - "Signora Dorabella" is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Montserrat Caballé, Dame Janet Baker, Nicolai Gedda, Wladimiro Ganzarolli, Sir Colin Davis's "Mozart: Così Fan Tutte (Complete Mozart Edition)" album is number 12 out of 49. On top of that, Netherlands appears to be the country where this track was created. Così fan tutte / Act 1: "Ah, scostati!" - "Smanie implacabili" - "Signora Dorabella" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte / Act 1: "Ah, scostati!" - "Smanie implacabili" - "Signora Dorabella" by Wolfgang Amadeus Mozart, Montserrat Caballé, Janet Baker, Ileana Cotrubas, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Der Stein der Weisen, Act I: Aria. Alle Wetter! O ihr Götter! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 0 | 8B | 103 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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