"Suite for Marijn's Digital Orchestra: III. Tzitzikia - Remastered 2018" by Marijn Simons, Joost Vrouenraets, Maïté Guérin, Raphaël Eder Kastling, Francesca Imoda, Diego Torres, Hung Phuc Nguyen, Vanessa Peraldo, Melissa Peraldo was released on August 10, 2018. With Suite for Marijn's Digital Orchestra: III. Tzitzikia - Remastered 2018 being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marijn Simons's "Have You Heard the Solos? (Remastered)" album is number 9 out of 12. In terms of popularity, Suite for Marijn's Digital Orchestra: III. Tzitzikia - Remastered 2018 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Marijn's Digital Orchestra: III. Tzitzikia - Remastered 2018 by Marijn Simons, Joost Vrouenraets, Maïté Guérin, Raphaël Eder Kastling, Francesca Imoda, Diego Torres, Hung Phuc Nguyen, Vanessa Peraldo, Melissa Peraldo to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Divertimento for Alto Saxophone and Band: I. Allegro ma non troppo | Roger Boutry, Claude Delangle, Swedish Wind Ensemble, Christian Lindberg | F Minor | 0 | 4A | 127 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Tableaux De Provence: II. Cansoun Per Ma Mio | Paule Maurice, Saarländisches Staatsorchester, Asya Fateyeva, Sébastien Rouland | G Major | 0 | 9B | 73 BPM | ||
String quartet no 2 op12 ; Largo - coda | Marijn Simons, Mondriaan Quartet, Jeroen Weierink, Holland Wind Players | D Minor | 2 | 7A | 124 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Vivace, capriccioso | György Ligeti, The Verona Quartet | D Major | 5 | 10B | 111 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": III. Glorification of the Chosen One | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
Final Ride | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 1. Introduction | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 3 | 8B | 110 BPM |
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