Die Dreigroschenoper: Mack the Knife (The Threepenny Opera)
Louis Armstrong
All that Jazz, Vol.5 – Louis Armstrong in Studio and on Stage
3:20 April 1, 2014
BPM
125
Key
D Minor
Camelot
7A

Embed

Share Link

Die Dreigroschenoper: Mack the Knife (The Threepenny Opera) - Louis Armstrong Information

Acousticness
99%
Danceability
62%
Energy
12%
Instrumentalness
94%
Liveness
10%
Loudness
67%
Speechiness
5%
Valence
58%
Popularity
Loudness
-19.548 dB

Summary

Louis Armstrong made "Die Dreigroschenoper: Mack the Knife (The Threepenny Opera)" available on April 1, 2014. The duration of Die Dreigroschenoper: Mack the Knife (The Threepenny Opera) is about 3 minutes long, at 3:20. Based on our data, "Die Dreigroschenoper: Mack the Knife (The Threepenny Opera)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in All that Jazz, Vol.5 – Louis Armstrong in Studio and on Stage by Louis Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Die Dreigroschenoper: Mack the Knife (The Threepenny Opera)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Die Dreigroschenoper: Mack the Knife (The Threepenny Opera) BPM

The tempo marking of Die Dreigroschenoper: Mack the Knife (The Threepenny Opera) by Louis Armstrong is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Die Dreigroschenoper: Mack the Knife (The Threepenny Opera) Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tain't What You Do (It's The Way That You Do It) by Jimmie LuncefordTain't What You Do (It's The Way That You Do It)Jimmie LuncefordA♭ Major24B161 BPM
You're Just In Love (I Wonder Why) by Perry ComoYou're Just In Love (I Wonder Why)Perry ComoD Major110B75 BPM
Johnny B. Goode by Chuck BerryJohnny B. GoodeChuck BerryB♭ Major86B168 BPM
I'll Never Fall in Love Again by Dionne WarwickI'll Never Fall in Love AgainDionne WarwickD♭ Major33B137 BPM
Bill Bailey, Won't You Please Come Home by The CastBill Bailey, Won't You Please Come HomeThe CastC Minor45A113 BPM
These Arms of Mine by Otis ReddingThese Arms of MineOtis ReddingB♭ Major36B177 BPM
Say It (Over And Over Again) by John Coltrane QuartetSay It (Over And Over Again)John Coltrane QuartetE♭ Major15B66 BPM
Georgia on My Mind by Ray CharlesGeorgia on My MindRay CharlesG Major39B88 BPM
It Had To Be You by Artie ShawIt Had To Be YouArtie ShawG Major39B158 BPM
But I Do by Clarence But I DoClarence "Frogman" HenryB♭ Major86B110 BPM
ISRC
DEL111400225
Label
L-M Records/RCA Records

Section: 0.6932973861694336

End: 0.6982822418212891