"Chansons francaises, FP 130: No. 7. Ah! mon beau laboureur" by Francis Poulenc, Danish National Vocal Ensemble, Stephen Layton was released on March 6, 2012. The duration of Chansons francaises, FP 130: No. 7. Ah! mon beau laboureur is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Chansons francaises, FP 130: No. 7. Ah! mon beau laboureur's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francis Poulenc, Danish National Vocal Ensemble, Stephen Layton's "Half Monk, Half Rascal" album is number 27 out of 29. On top of that, Denmark appears to be the country where this track was created. In terms of popularity, Chansons francaises, FP 130: No. 7. Ah! mon beau laboureur is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Chansons francaises, FP 130: No. 7. Ah! mon beau laboureur by Francis Poulenc, Danish National Vocal Ensemble, Stephen Layton to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
Lyric Pieces, Op.71: VII. Efterklang - Tempo di valse | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 77 BPM | ||
Sonate pour hautbois et piano: Déploration | Francis Poulenc, Jean-Louis Capezzali, Jean-Pierre Armengaud | B♭ Minor | 0 | 3A | 108 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | G Major | 0 | 9B | 105 BPM |
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