Christoph Willibald Gluck, Caitlin Hulcup, Cantillation, Orchestra of the Antipodes, Antony Walker made "Iphigénie en Tauride, Wq. 46, Act II: Act II Scene 6: Ô malheureuse Iphigénie!" available on January 6, 2017. With this song being about 5 minutes long, at 4:36, "Iphigénie en Tauride, Wq. 46, Act II: Act II Scene 6: Ô malheureuse Iphigénie!" by Christoph Willibald Gluck, Caitlin Hulcup, Cantillation, Orchestra of the Antipodes, Antony Walker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christoph Willibald Gluck, Caitlin Hulcup, Grant Doyle, Orchestra of the Antipodes, Antony Walker's "Gluck: Iphigénie en Tauride, Wq. 46 (Live)" album is number 24 out of 49. On top of that, United States appears to be the country where this track was created. The popularity of Iphigénie en Tauride, Wq. 46, Act II: Act II Scene 6: Ô malheureuse Iphigénie! is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Iphigénie en Tauride, Wq. 46, Act II: Act II Scene 6: Ô malheureuse Iphigénie! by Christoph Willibald Gluck, Caitlin Hulcup, Cantillation, Orchestra of the Antipodes, Antony Walker to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: III. Adagio | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Minor | 0 | 6A | 74 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Orfeo ed Euridice: Melodie (arr. G. Sgambati for piano) | Giovanni Sgambati, Christoph Willibald Gluck, Sergei Rachmaninoff | D Minor | 0 | 7A | 139 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |
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