"The Apostles, Op. 49, Pt.2: V. Golgotha" by Sir Edward Elgar, Paul Groves, Rebecca Evans, Sir Mark Elder, Hallé was released on 2008. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 60 in Elgar Oratorios by Sir Edward Elgar, Hallé, Sir Mark Elder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Apostles, Op. 49, Pt.2: V. Golgotha is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Apostles, Op. 49, Pt.2: V. Golgotha by Sir Edward Elgar, Paul Groves, Rebecca Evans, Sir Mark Elder, Hallé is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Elgar: Chanson de matin, Op. 15 No. 2 | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | G Major | 1 | 9B | 92 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
Salut d'Amour, Op. 12 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | F Major | 1 | 7B | 79 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM |
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