David Conte, Tim Krol, Chad Runyon, San Francisco New Music Ensemble, Nicole Paiement's 'The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)' came out on March 1, 2015. The duration of The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry) is about 3 minutes long, at 3:21. Based on our data, "The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 28 in Conte: The Gift of the Magi by David Conte, Aimée Puentes, Elena Bocharova, Tim Krol, Chad Runyon, Nicole Paiement. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry) by David Conte, Tim Krol, Chad Runyon, San Francisco New Music Ensemble, Nicole Paiement is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misteryo ng Pananampalataya | Alejandro D. Consolacion II, CANTUS, Pifferari, Lawrence Jatayna, Franz Ramirez | D♭ Major | 2 | 3B | 133 BPM | ||
We Thank Thee, Lord | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
Requiem Canticles: II. Exaudi | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir | G Minor | 0 | 6A | 140 BPM | ||
Mass: Warm-Up | Leonard Bernstein, Tom Blomster, Susan Brown, Eric Plutz, St. John's Episcopal Cathedral Choir, Donald Pearson | D♭ Major | 2 | 3B | 106 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Six sacred Songs after Poems of Joseph von Eichendorff: Nr. 1. Aufblick | Hugo Wolf, Chamber Choir of the Kreuzkirche Chemnitz | E Major | 2 | 12B | 135 BPM | ||
Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Ta Na Solbici | Montgomery Highschool Choir | A♭ Major | 3 | 4B | 101 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM |
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