David Conte, Tim Krol, Chad Runyon, San Francisco New Music Ensemble, Nicole Paiement's 'The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)' came out on March 1, 2015. The duration of The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry) is about 3 minutes long, at 3:21. Based on our data, "The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 28 in Conte: The Gift of the Magi by David Conte, Aimée Puentes, Elena Bocharova, Tim Krol, Chad Runyon, Nicole Paiement. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Gift of the Magi: Scene 3: Della, I'm back! Della, Della? (Jim, Henry) by David Conte, Tim Krol, Chad Runyon, San Francisco New Music Ensemble, Nicole Paiement is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Neue Liebe, neues Leben (Arr. Rouger for Choir & Piano) | Fanny Mendelssohn, Hannah Gries, Julia Kammerlander, figure humaine kammerchor, Denis Rouger | B♭ Major | 1 | 6B | 75 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
The Passing of the Year: No. 2. The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | A Major | 1 | 11B | 75 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM | ||
To Sing of Love - A Triptych: II. Perilously | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
Cantus Choralis Iii | Pablo Zerynger | G Major | 2 | 9B | 169 BPM | ||
Baroque Suite: III. Verset in the Dorian Mode | J. H. Reginald Dixon, Ian Hare | A Minor | 0 | 8A | 0 BPM |
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