Henry Purcell, Emmanuelle Haïm made "Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #2. In terms of popularity, Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell: Dido and Aeneas, Z. 626, Act 1: "Shake the cloud from off your brow" (Belinda) by Henry Purcell, Emmanuelle Haïm having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
Funeral Sentences For Queen Mary: In The Midst Of Life | Timothy Brown, William Carter, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Keri Dexter, Tim Handley, Nicholas Parker, Marshall Marcus, Ron Bryans, Robert Howes, Andrew Manze, Liz Kenny, Micheal Laird, Jonathan Brown, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins | C Minor | 0 | 5A | 88 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
The Indian Queen, Z. 630 : Act II - Dance, Solo (Fame) And Chorus: I Came To Sing Great Zempolla's S | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 2 | 1B | 38 BPM | ||
Dido and Aeneas / Act 3: Prelude - "Come away, fellow sailors" - Sailors' dance | Henry Purcell, John Mitchinson, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Major | 2 | 9B | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Dido and Aeneas / Act I: "Ah! Belinda, I Am Press'd" ... "When Monarchs Unite, How Happy" | Henry Purcell, The English Concert, Trevor Pinnock, Anne Sofie von Otter, Lynne Dawson, The English Concert Choir | B Minor | 0 | 10A | 75 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | ||
A New Ground in E Minor, Z.T682 | Henry Purcell, Terence R. Charlston | F♯ Minor | 2 | 11A | 56 BPM |
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