"A Downland Suite (Arr. for String Orchestra): IV. Rondo. Poco allegro" by John Ireland, Richard Hickox, City of London Sinfonia had its release date on June 1, 1995. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Ireland, Richard Hickox, City of London Sinfonia's "Ireland: A Downland Suite, Contertino Pastorale, Two Symphonic Studies & Orchestral Poem" album is number 4 out of 10. On top of that, United Kingdom appears to be the country where this track was created. A Downland Suite (Arr. for String Orchestra): IV. Rondo. Poco allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Downland Suite (Arr. for String Orchestra): IV. Rondo. Poco allegro by John Ireland, Richard Hickox, City of London Sinfonia to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Songs: No. 1. Tryst (In Fountain Court) | John Ireland, Benjamin Luxon, Alan Rowlands | G Minor | 0 | 6A | 96 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
3 Songs: No. 1. Summer Schemes | John Ireland, Roderick Williams, Iain Burnside | A♭ Major | 0 | 4B | 127 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
Great Things | John Ireland, Roderick Williams, Iain Burnside | C Major | 1 | 8B | 71 BPM | ||
Nunc dimittis in G Major | Herbert Sumsion, The Ecclesium Choir, David Leigh, Philip Stopford | E Minor | 1 | 9A | 119 BPM |