"Cendrillon: Le Rigodon du Roy" by Jules Massenet, Philharmonia Orchestra, Julius Rudel was released on 1979. The duration of Cendrillon: Le Rigodon du Roy is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Cendrillon: Le Rigodon du Roy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Frederica von Stade's "Massenet: Cendrillon - The Sony Opera House" album is number 19 out of 33. On top of that, United States appears to be the country where this track was created. Cendrillon: Le Rigodon du Roy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cendrillon: Le Rigodon du Roy by Jules Massenet, Philharmonia Orchestra, Julius Rudel to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie: O doux printemps d'autrefois | Jules Massenet, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 114 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | ||
Massenet: Don Quichotte, Act 3: "C'est ici le chemin que prennent les bandits" (Don Quichotte, Sancho) | Jules Massenet, Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson - José Van Dam, Alain Fondary, José van Dam, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Géza Anda, Camerata Academica des Mozarteums Salzburg | F Major | 0 | 7B | 175 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM |
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