"The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Prelude" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra was released on September 4, 2020. The duration of The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Prelude is about 3 minutes long, at 3:16. Based on our data, "The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Lucy Crowe, Gerald Finley, Sophia Burgos's "Janáček: The Cunning Little Vixen, Sinfonietta" album is number 1 out of 49. In terms of popularity, The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Prelude by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
6 Pezzi, P. 44: No. 2. Canone | Ottorino Respighi, Konstantin Scherbakov | B♭ Major | 1 | 6B | 83 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Intimate Sketches: No. 11, My Olga | Leoš Janáček, Olena Kushpler | N/A | N/A | N/A | 0 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM |
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