The Best Was Yet To Come - Live At Hammersmith Odeon/1985
Bryan Adams
Reckless (30th Anniversary / Deluxe Edition)
2:42 November 5, 1984
BPM
105
Key
F Major
Camelot
7B

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The Best Was Yet To Come - Live At Hammersmith Odeon/1985 - Bryan Adams Information

Acousticness
71%
Danceability
47%
Energy
41%
Instrumentalness
0%
Liveness
91%
Loudness
79%
Speechiness
4%
Valence
10%
Popularity
Loudness
-12.616 dB

Summary

"The Best Was Yet To Come - Live At Hammersmith Odeon/1985" by Bryan Adams was released on November 5, 1984. The duration of The Best Was Yet To Come - Live At Hammersmith Odeon/1985 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. The Best Was Yet To Come - Live At Hammersmith Odeon/1985's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Reckless (30th Anniversary / Deluxe Edition)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, The Best Was Yet To Come - Live At Hammersmith Odeon/1985 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Best Was Yet To Come - Live At Hammersmith Odeon/1985 BPM

With The Best Was Yet To Come - Live At Hammersmith Odeon/1985 by Bryan Adams having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Best Was Yet To Come - Live At Hammersmith Odeon/1985 Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

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ISRC
USUM71411575
Label
L-M Records/RCA Records

Section: 0.45717525482177734

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