"Film music for Henry V: 2 Pieces for Strings: IV. Touch Her Soft Lips and Part" by William Walton, Bournemouth Sinfonietta, Richard Studt was released on June 3, 1994. The duration of Film music for Henry V: 2 Pieces for Strings: IV. Touch Her Soft Lips and Part is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Film music for Henry V: 2 Pieces for Strings: IV. Touch Her Soft Lips and Part's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20th Century String Music, so we believe that "Film music for Henry V: 2 Pieces for Strings: IV. Touch Her Soft Lips and Part" is a single. Based on our statistics, Film music for Henry V: 2 Pieces for Strings: IV. Touch Her Soft Lips and Part's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Film music for Henry V: 2 Pieces for Strings: IV. Touch Her Soft Lips and Part by William Walton, Bournemouth Sinfonietta, Richard Studt is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | ||
Five Bagatelles: III. Alla cubana | William Walton, Sean Shibe | B Minor | 0 | 10A | 95 BPM | ||
Crown Imperial | English Northern Philharmonia, William Walton | C Major | 3 | 8B | 118 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 83 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Waltz No. 1 in E-Flat Major, Op. 83 | Marie Auguste Durand, Janos Balint, Nora Mercz | E♭ Major | 0 | 5B | 93 BPM |
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