"O virgo Eccelsia" by Hildegard von Bingen, Elizabeth Gaver, Sequentia, Barbara Thornton was released on 1985. Since O virgo Eccelsia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 27 in Bingen: Chants De L'Extase by Hildegard von Bingen, Sequentia. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. O virgo Eccelsia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O virgo Eccelsia by Hildegard von Bingen, Elizabeth Gaver, Sequentia, Barbara Thornton is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holy Friday Aposticha - Optina Monastary Melody (Automelon) | Archangel Voices | D Major | 1 | 10B | 83 BPM | ||
Legem dedit rex crudelis | Anon, Magnificat, Philip Cave | G Major | 0 | 9B | 106 BPM | ||
Kyrie (Josef Gabriel Rheinberger) | Sexteto Cantábile | D♭ Minor | 2 | 12A | 76 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Credo, JD 17: Credo (Da gaudiorum premia), JD 17 | John Dunstable, Tonus Peregrinus, Antony Pitts | F♯ Major | 1 | 2B | 76 BPM | ||
O Maria Mater pia | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | D Minor | 0 | 7A | 127 BPM | ||
Studium divinitatis (Zeal of divinity) | Hildegard von Bingen, David Bevan, Ciaran O'Keefe, Hannah Taylor, Zachary Taylor, Oxford Girls' Choir, Richard Vendome | D Minor | 0 | 7A | 87 BPM | ||
Today The Grace / Днесь благодать | Divna Ljubojevic | D♭ Major | 4 | 3B | 86 BPM | ||
Credo, JD12: Credo a 4, JD 12 | John Dunstable, Tonus Peregrinus, Antony Pitts | E♭ Minor | 2 | 2A | 68 BPM | ||
Sibil-La Mallorquina: Aprés Se Badarà Molt Fort R/ (Monastère Des Nonnes De La Concepció) | La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall | F Major | 0 | 7B | 103 BPM |
Section: 0.4755876064300537
End: 0.48053717613220215