Antonín Dvořák, Karita Mattila, Martin Katz's 'Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 6. In dem weiten, breiten, luft'gen Leinenkleide (In his wide and ample, airy linen vesture)' came out on January 1, 2007. With Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 6. In dem weiten, breiten, luft'gen Leinenkleide (In his wide and ample, airy linen vesture) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vocal Recital: Mattila, Karita - Duparc, H. / Saariaho, K. / Rachmaninov, S. / Dvorak, A. (Helsinki Recital) by Karita Mattila. The song's track number on the album is #20 out of 22 tracks. In terms of popularity, Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 6. In dem weiten, breiten, luft'gen Leinenkleide (In his wide and ample, airy linen vesture) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 6. In dem weiten, breiten, luft'gen Leinenkleide (In his wide and ample, airy linen vesture) by Antonín Dvořák, Karita Mattila, Martin Katz has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 6. In dem weiten, breiten, luft'gen Leinenkleide (In his wide and ample, airy linen vesture) being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Kreisler: Schön Rosmarin | Fritz Kreisler, Itzhak Perlman | G Major | 2 | 9B | 117 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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