Johann Sebastian Bach, Keith Jarrett made "The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in F-Sharp Major, BWV 858 - Live in Troy, NY / 1987" available on June 14, 2019. With The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in F-Sharp Major, BWV 858 - Live in Troy, NY / 1987 being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Keith Jarrett's "J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)" album is number 26 out of 48. On top of that, Germany appears to be the country where this track was created. The popularity of The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in F-Sharp Major, BWV 858 - Live in Troy, NY / 1987 is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in F-Sharp Major, BWV 858 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: V. Allegro, non troppo | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 2 | 9A | 130 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Ground. Z. D222 | Henry Purcell, Richard Egarr | C Minor | 1 | 5A | 98 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 2 (Nach der Predigt): Choral: Oh! Jesu du | Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig | B♭ Major | 0 | 6B | 73 BPM | ||
Keyboard Sonata No. 19 in A Major: Allegro | Domenico Cimarosa, Donatella Failoni | A Major | 2 | 11B | 129 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 3 | 12A | 137 BPM | ||
Musical Offering, BWV 1079, Canones diversi super Thema Regium: Canon 3 a 2 per Motum contrarium | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM | ||
Flute Concerto in G Minor, RV. 439 "La notte": II. Fantasmi (Presto) | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | F♯ Minor | 4 | 11A | 107 BPM | ||
Suite en ré: Second Double des Niais | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM |
Section: 0.5698742866516113
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