"Concerto in F: 2. Adagio" by George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester Leipzig was released on January 1, 2010. Concerto in F: 2. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Stefano Bollani, Gewandhausorchester Leipzig, Riccardo Chailly's "Gershwin: Rhapsody in Blue; Piano Concerto in F; Catfish Row etc" album is number 8 out of 10. In terms of popularity, Concerto in F: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in F: 2. Adagio by George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester Leipzig to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-Flat Major, Op. 82: 3. Allegro molto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 94 BPM | ||
3 Preludes : Allegro Ben Ritmato E Deciso | Leon Bates, George Gershwin | A♭ Minor | 2 | 1A | 74 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Horn Concertino in E Minor, Op. 45, J. 188: III. Polacca | Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | E Major | 1 | 12B | 109 BPM | ||
The Gadfly Suite, Op. 97a: VIII. Romance | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 139 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Piazzolla: Libertango | Astor Piazzolla, Alison Balsom, Edward Gardner, Göteborg Symfoniker | A Minor | 3 | 8A | 150 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM |
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