On 1927, the song "There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer)" was released by Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer. The duration of There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) is about 3 minutes long, at 3:01. Based on our data, "There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 20 in Bix Beiderbecke, Volume I: Singin' The Blues by Bix Beiderbecke. The popularity of There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) by Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer is Prestissimo (even faster than presto), since this song has a tempo of 206 BPM. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pardon My Southern Accent | Isham Jones And His Orchestra | D♭ Major | 4 | 3B | 210 BPM | ||
Casey Bill | Earl McDonald, Earl McDonald's Original Louisville Jug Band | A Minor | 3 | 8A | 91 BPM | ||
Up jumped the devil | Earl Hines | D♭ Major | 5 | 3B | 91 BPM | ||
I'm In Love | Halfway House Dance Orchestra | D Minor | 4 | 7A | 120 BPM | ||
Knee Drops | Louis Armstrong & His Hot Seven | B♭ Major | 4 | 6B | 106 BPM | ||
How Could Red Riding Hood Be Good? (Recorded October 1926) | Dolly Kay | D♭ Minor | 2 | 12A | 113 BPM | ||
What a Difference a Day Made | Freddy Martin & His Orchestra | A Minor | 5 | 8A | 113 BPM | ||
A Blues Serenade - 78rpm Version | Glenn Miller & His Orchestra; Vocal by Smith Ballew | A♭ Major | 1 | 4B | 82 BPM | ||
Ain't She Sweet | Bunny Berigan | C Minor | 5 | 5A | 176 BPM | ||
Casa Loma Stomp | Casa Loma Orchestra | F♯ Major | 3 | 2B | 134 BPM |
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