There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer)
Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer
Bix Beiderbecke, Volume I: Singin' The Blues
3:01 1927
BPM
206
Key
B♭ Major
Camelot
6B

Embed

Share Link

There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) - Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer Information

Acousticness
99%
Danceability
71%
Energy
24%
Instrumentalness
5%
Liveness
12%
Loudness
76%
Speechiness
11%
Valence
88%
Popularity
Loudness
-14.124 dB

Summary

On 1927, the song "There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer)" was released by Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer. The duration of There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) is about 3 minutes long, at 3:01. Based on our data, "There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 20 in Bix Beiderbecke, Volume I: Singin' The Blues by Bix Beiderbecke. The popularity of There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) BPM

The tempo marking of There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) by Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer is Prestissimo (even faster than presto), since this song has a tempo of 206 BPM. The time signature for this track is 4/4.

There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pardon My Southern Accent by Isham Jones And His OrchestraPardon My Southern AccentIsham Jones And His OrchestraD♭ Major43B210 BPM
Casey Bill by Earl McDonald, Earl McDonald's Original Louisville Jug BandCasey BillEarl McDonald, Earl McDonald's Original Louisville Jug BandA Minor38A91 BPM
Up jumped the devil by Earl HinesUp jumped the devilEarl HinesD♭ Major53B91 BPM
I'm In Love by Halfway House Dance OrchestraI'm In LoveHalfway House Dance OrchestraD Minor47A120 BPM
Knee Drops by Louis Armstrong & His Hot SevenKnee DropsLouis Armstrong & His Hot SevenB♭ Major46B106 BPM
How Could Red Riding Hood Be Good? (Recorded October 1926) by Dolly KayHow Could Red Riding Hood Be Good? (Recorded October 1926)Dolly KayD♭ Minor212A113 BPM
What a Difference a Day Made by Freddy Martin & His OrchestraWhat a Difference a Day MadeFreddy Martin & His OrchestraA Minor58A113 BPM
A Blues Serenade - 78rpm Version by Glenn Miller & His Orchestra; Vocal by Smith BallewA Blues Serenade - 78rpm VersionGlenn Miller & His Orchestra; Vocal by Smith BallewA♭ Major14B82 BPM
Ain't She Sweet by Bunny BeriganAin't She SweetBunny BeriganC Minor55A176 BPM
Casa Loma Stomp by Casa Loma OrchestraCasa Loma StompCasa Loma OrchestraF♯ Major32B134 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5455389022827148

End: 0.549689531326294