George Frideric Handel, Christopher Tipping, Simon Preston, The English Concert, The Choir Of Westminster Abbey, Trevor Pinnock made "The Dettingen Te Deum: I. We Praise Thee, O God" available on January 1, 1984. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock's "Handel: Dettingen Te Deum; Dettingen Anthem" album is number 1 out of 23. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Dettingen Te Deum: I. We Praise Thee, O God is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Dettingen Te Deum: I. We Praise Thee, O God by George Frideric Handel, Christopher Tipping, Simon Preston, The English Concert, The Choir Of Westminster Abbey, Trevor Pinnock to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Dixit Dominus, HWV 232: I. Dixit Dominus, Domino meo | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | F♯ Major | 2 | 2B | 78 BPM | ||
Symphonie de Noël: Allegretto | Michel Richard Delalande, Ensemble Orchestral Harmonia Nova & Didier Bouture, Didier Bouture, Ensemble Orchestral Harmonia Nova | G Major | 1 | 9B | 62 BPM | ||
Adam lay ybounden [1963] | Boris Ord, Sir David Willcocks, Choir of King's College, Cambridge | B Minor | 2 | 10A | 87 BPM | ||
Concerto Grosso in C Major, Op. 3, No. 12: II. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 58 BPM | ||
Handel - Messiah, K. 572 (Sung in German): Overture | Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F♯ Minor | 0 | 11A | 83 BPM | ||
Say, Where Is He Born, The King Of Judaea | Felix Mendelssohn, The Choir of Her Majesty's Chapel Royal, St James's Palace, Andrew Gant | G Major | 1 | 9B | 99 BPM | ||
The Dettingen Te Deum: V. The Glorious Company Of th'Apostles | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D Major | 1 | 10B | 149 BPM | ||
XII. for unto us a child a child is born | London Philharmonic Orchestra | G Major | 3 | 9B | 97 BPM | ||
Guide Me O Thou Great Jehovah | Huddersfield Choral Society | A♭ Major | 2 | 4B | 104 BPM | ||
Vivaldi: Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Sir Neville Marriner, Ann Murray, Barbara Hendricks, Academy of St. Martin in the Fields | F Major | 2 | 7B | 142 BPM |
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