Hannes Meyer's 'Malaguena (arr. H. Meyer)' came out on January 1, 1997. The duration of Malaguena (arr. H. Meyer) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Malaguena (arr. H. Meyer)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Organ Recital: Meyer, Hannes - Sousa, J.P. / Meyer, H. / Liszt, F. / Lennon, J. / Mccartney, P. / Strauss Ii / Petersburski, J. / Ravel, M.". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Switzerland. Malaguena (arr. H. Meyer) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Malaguena (arr. H. Meyer) by Hannes Meyer having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Maurice André, Louis Martini, Orchestre de chambre Jean-François Paillard | D Major | 4 | 10B | 134 BPM | ||
Allegro di Concerto | Joan Alfaras | D Major | 2 | 10B | 90 BPM | ||
Der Herr ist mein Hirt | Bernhard Klein, Taipei Male Choir, Frieder Bernius | A Major | 1 | 11B | 97 BPM | ||
Hannes Meyer: Intermezzo 3 | Hannes Meyer | G Minor | 2 | 6A | 111 BPM | ||
弦楽のための組曲: 第1楽章: A-Roving/さすらい | John Rutter, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
La Volpe dalla coda di velluto - Adagio #4 | Piero Piccioni | D♭ Major | 3 | 3B | 93 BPM | ||
Gouden Harpen Ruisen | Willem Hendrik Zwart | G Major | 2 | 9B | 69 BPM | ||
Kehtolaulu (Berceuse) | SRK Instrumentaali, Mikael Säily, Tuomas Holma, Lauri-Kalle Kallunki | D Minor | 1 | 7A | 108 BPM | ||
Waldandacht - Frühmorgens, wenn die Hähne kräh'n | Der Montanara Chor | F♯ Major | 1 | 2B | 70 BPM | ||
Es ist ein Ros' entsprungen - Solo Live | Fortuna Ehrenfeld | G Major | 5 | 9B | 171 BPM |
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