"Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - Ahi tu passati" by Melos Ensemble was released on June 19, 2012. The duration of Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - Ahi tu passati is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - Ahi tu passati's duration is considered a little bit shorter than the average duration of a typical track. The song is number 151 out of 151 in Classical Essentials by Melos Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - Ahi tu passati is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - Ahi tu passati by Melos Ensemble is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Phantasie über Mozart's "Là ci darem la mano" | Franz Danzi, Martin Fröst, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 67 BPM | ||
Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | E Minor | 0 | 9A | 139 BPM | ||
Double Concerto in E Minor, Op. 88: II. Allegro Moderato | Max Bruch, Copenhagen Phil, Vincenzo Milletarí, Giovanni Punzi, Eva Katrine Dalsgaard | G Minor | 0 | 6A | 68 BPM | ||
Die Sieben letzten Worte unseres Erlösers am Kreuze Hob. XX:1: Introduzione | Joseph Haydn, Emil Klein | D Minor | 2 | 7A | 115 BPM | ||
Gavotte, B. 164 | Antonín Dvořák, Vlach Quartet Prague | B♭ Major | 0 | 6B | 158 BPM | ||
Viotti / Arr. Mozart: Violin Concerto in E Minor, WI:16: II. Adagio | Giovanni Battista Viotti, Yehudi Menuhin, Menuhin Festival Orchestra | E Major | 1 | 12B | 100 BPM | ||
Double Bass Concerto in D Major: II. Adagio | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 122 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 10, Knut Luråsens halling I. Moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM |
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