Luigi Legnani, Lucio Matarazzo's '36 Caprices, Op. 20: No. 26, Allegro Giusto' came out on January 1, 1996. With 36 Caprices, Op. 20: No. 26, Allegro Giusto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Luigi Legnani, Lucio Matarazzo's "Legnani: 36 Caprices" album is number 26 out of 36. On top of that, Italy appears to be the country where this track was created. 36 Caprices, Op. 20: No. 26, Allegro Giusto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 36 Caprices, Op. 20: No. 26, Allegro Giusto by Luigi Legnani, Lucio Matarazzo to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): II. Cataluna (Corranda) | Jason Vieaux, Isaac Albéniz | G Minor | 1 | 6A | 78 BPM | ||
Studio No. 2 in G Major - for Guitar | Ferdinando Carulli, Bruno Giuffredi | G Major | 1 | 9B | 137 BPM | ||
Homenatge a Mistral: I. Preludi | Matilde Salvador, Dejan Ivanovic | B Minor | 0 | 10A | 140 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
La Catedral: Preludio Saudade | Berta Rojas | B Minor | 1 | 10A | 103 BPM | ||
Brimborion, Op. 11: Romance sans paroles | Jaime Bosch, Alexandra Whittingham | A Minor | 0 | 8A | 128 BPM | ||
Keyboard Sonata in G Major, K.14/L.387/P.70 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | G Major | 1 | 9B | 120 BPM | ||
Danza Mora | Philip Hemmo | B Major | 2 | 1B | 90 BPM | ||
Suite espagnole, Op. 47: IV. Cádiz | Isaac Albéniz, Thibault Cauvin | A Major | 2 | 11B | 83 BPM | ||
24 Preludes, Op. 28: No. 6 in B Minor (Arr. M. Llobet Soles for Guitar) | Frédéric Chopin, Stefano Grondona | C Major | 2 | 8B | 155 BPM |
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