Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell's 'Mystery (Rosary) Sonata: No. 14 in D Major “The Assumption of Mary into Heaven”: II. Aria - Aria II - Guigue' came out on March 1, 2024. Mystery (Rosary) Sonata: No. 14 in D Major “The Assumption of Mary into Heaven”: II. Aria - Aria II - Guigue is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 12 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mystery (Rosary) Sonata: No. 14 in D Major “The Assumption of Mary into Heaven”: II. Aria - Aria II - Guigue is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata: No. 14 in D Major “The Assumption of Mary into Heaven”: II. Aria - Aria II - Guigue by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 14, "The Assumption of the Virgin": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Major | 1 | 3B | 99 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: VI. Mascarade, rondeau | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 106 BPM | ||
Airs for the Winter: Golden Rod: II. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 127 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM |
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