On 2011, the song "Kapitel 92 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 92 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:09. Based on our data, "Kapitel 92 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 22 out of 210. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Kapitel 92 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 92 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La traviata, Act 2: "Invitato a qui seguirmi" (Violetta, Alfredo, Chorus) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 2 | 4B | 85 BPM | ||
La Bohème: Pavarotti’s first high C ever: Che gelida manina! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti | F Minor | 5 | 4A | 89 BPM | ||
La forza del destino, Act II, Scene I: Padre Eterno, Signor, pietà di noi! | Giuseppe Verdi, Dinara Alieva, Anna Maria Chiuri, Cristiano Olivieri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 1 | 9B | 100 BPM | ||
Les Pêcheurs de perles: Je frémis, je chancelle (Leïla, Zurga) | Georges Bizet, Janine Micheau/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | C Minor | 2 | 5A | 71 BPM | ||
Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" | Giacomo Puccini, Ingvar Wixell, Piero de Palma, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Le Villi: Act II - No, possibil non è... Anima santa della figlia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
Cavalleria rusticana: Part I: Il cavallo scalpita (Alfio, Chorus, Lucia, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 3 | 8B | 116 BPM |
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