Giovanni Bottesini, Rick Stotijn, Olivier Thiery, Camerata RCO made "Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): III. Allegro" available on October 7, 2022. The duration of Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): III. Allegro is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 14 in Doppio espressivo by Rick Stotijn, Camerata RCO. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): III. Allegro is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Passione amorosa (Arr. B. Furtok for 2 Double Basses & Chamber Ensemble): III. Allegro by Giovanni Bottesini, Rick Stotijn, Olivier Thiery, Camerata RCO is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Beau soir (arr. J. Heifetz) | Jascha Heifetz, Claude Debussy, Elissa Lee Koljonen, Robert Koenig | F♯ Minor | 0 | 11A | 66 BPM | ||
Variations on Nel cor piu non mi sento from Paisiello's La Molinara | Giovanni Bottesini, Entcho Radoukanov, Ingrid Lindgren | E Major | 0 | 12B | 74 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | D♭ Minor | 1 | 12A | 99 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 4. Presto | Johann Sebastian Bach, Hilary Hahn | G Minor | 3 | 6A | 125 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
Sonata 'a preghiera', MS 23 (Moses Fantasy) | Niccolò Paganini, Gabriele Pieranunzi, Salvatore Lombardo, Iona Stratulat, Luca Improta, Pierluigi Sanarica, Alessandro Mariani | C Major | 1 | 8B | 105 BPM |
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