"The Firebird Suite: I. Introduction" by The University of Illinois Symphonic Band was released on January 1, 2012. The duration of The Firebird Suite: I. Introduction is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Firebird Suite: I. Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "University of Illinois Symphonic Band Recording #126". In this album, this song's track order is #1. In terms of popularity, The Firebird Suite: I. Introduction is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird Suite: I. Introduction by The University of Illinois Symphonic Band having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Regiment de Sambre et Meuse | Robert Planquette, The University of Illinois Symphonic Band, Dr. Harry Begian | B♭ Major | 2 | 6B | 123 BPM | ||
Symphony for Band: II. Movement II | Jerry H. Bilik, The University of Illinois Symphonic Band, Dr. Harry Begian | F Minor | 2 | 4A | 146 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | F Major | 1 | 7B | 116 BPM | ||
II. Song Without Words: "I'll Love My Love"; Andante (Second Suite in F for Military Band) | Air Combat Command Heritage Of America Band | C Minor | 0 | 5A | 73 BPM | ||
Joy Revisited | Frank Ticheli, University of Texas at El Paso Symphonic Winds, Ron Hufstader | E♭ Major | 2 | 5B | 145 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
Lincolnshire Posy: II. Horkstow Grange | Percy Grainger, The University of Illinois Symphonic Band, James F. Keene | C Major | 2 | 8B | 139 BPM | ||
Dance Foltare | Claude Smith, The University of Illinois Wind Symphony, The University of Illinois Symphonic Band, James F. Keene | B♭ Major | 3 | 6B | 75 BPM | ||
Ragged Rozey | Karl Lawrence King, The University of Illinois Symphonic Band, Dr. Harry Begian | B♭ Major | 6 | 6B | 107 BPM | ||
Four Serious Songs, Op. 121: Song 2 | Johannes Brahms, The University of Illinois Symphonic Band, Dr. Harry Begian | D Major | 1 | 10B | 85 BPM |
Section: 0.6450881958007812
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