"Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): II. Meditative" by Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta was released on November 24, 2023. Since Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): II. Meditative is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 18 in Copland, Creston & Others: Orchestral Works by Anna Mattix, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): II. Meditative is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): II. Meditative by Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM | ||
Saxophone Sonata, Op. 19: II. With Tranquility | Paul Creston, Wonki Lee, Esther Lim | A Major | 0 | 11B | 90 BPM | ||
Rhapsody for Alto Saxophone: II. Calmato | André Waignein, N/A, Norbert Nozy, Royal Symphonic Band of the Belgian Guides | F Major | 1 | 7B | 81 BPM | ||
Fantaisie sur un theme original | Jules Demersseman, Claude Delangle, Odile Delangle | B♭ Major | 1 | 6B | 114 BPM | ||
Whirld (2018) for violin and orchestra: I. Nigredo – | Rolf Wallin, Stavanger Symphony Orchestra, Andris Poga, Eldbjørg Hemsing | C Major | 0 | 8B | 63 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
The Perfumed Calyx | Lyle Chan, Michael Duke, David Howie | B♭ Major | 3 | 6B | 118 BPM | ||
Concerto pour trombone et orchestre: III. Finale: Maestoso - Rondo | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | F♯ Major | 0 | 2B | 120 BPM | ||
Etude No. 4 in a | Cyrille Rose, John Walker, Christopher Hill and John Walker | F♯ Major | 6 | 2B | 175 BPM | ||
Saxophone Concerto, Op. 26: II. Meditative | Paul Creston, Claude Delangle, Swedish Wind Ensemble, Christian Lindberg | F♯ Major | 0 | 2B | 75 BPM |
Section: 0.669318437576294
End: 0.6729555130004883