"Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile" by Wolfgang Amadeus Mozart, Antonio Pompa-Baldi was released on November 16, 2018. Since Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Antonio Pompa-Baldi's "Mozart: Piano Sonatas Nos. 5, 10 & 12" album is number 5 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile by Wolfgang Amadeus Mozart, Antonio Pompa-Baldi to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Keyboard Sonata No. 53 in E Minor, Hob.XVI:34: I. Presto | Joseph Haydn, Jenő Jandó | C Major | 2 | 8B | 146 BPM | ||
Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Martin Stadtfeld, Achim Fiedler | G Minor | 0 | 6A | 79 BPM | ||
Der Stein der Weisen, Act I: Dialogue (6) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Alan Ewing, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Grieg: Holberg Suite, Op. 40: IV. Air (Piano Version) | Edvard Grieg, Cyprien Katsaris | G Minor | 0 | 6A | 75 BPM | ||
Herzlich Tut Mich Verlagen, BWV 727 (Arr. W. Kempff): Herzlich Tut Mich Verlangen, BWV 727 (Trans. W. Kempff) | Johann Sebastian Bach, Idil Biret, Wilhelm Kempff | B♭ Major | 1 | 6B | 81 BPM | ||
Douce Plainte (Tender Grieving) | Diane Hidy & Keith Snell | G Minor | 1 | 6A | 122 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Valse melancolique No. 1 in C Minor -for the right hand- | Carlos Marquez | C Minor | 2 | 5A | 142 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM |
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