"The Prison: No. 13, He Disbands His Ego" by Ethel Smyth, Dashon Burton, Experiential Orchestra, Experiential Chorus, James Blachly was released on August 7, 2020. The duration of The Prison: No. 13, He Disbands His Ego is about 3 minutes long, at 3:06. Based on our data, "The Prison: No. 13, He Disbands His Ego" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Smyth: The Prison". In this album, this song's track order is #13. Based on our statistics, The Prison: No. 13, He Disbands His Ego's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Prison: No. 13, He Disbands His Ego by Ethel Smyth, Dashon Burton, Experiential Orchestra, Experiential Chorus, James Blachly having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Trio in E-Flat Major, Op. 44: II. Adagio | Louise Farrenc, Dieter Klöcker, Peter Horr, Werner Genuit | A♭ Major | 0 | 4B | 65 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Symphony No. 4 in D Minor, Op. 120: III. Scherzo - Trio. Lebhaft (Vivace) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | F Major | 1 | 7B | 75 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Piano Trio, Op. 11: 3. Lied. Allegretto | Fanny Mendelssohn, Seraphim Trio | D Major | 1 | 10B | 106 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile | Florence Beatrice Price, Avalon String Quartet | A Major | 1 | 11B | 84 BPM | ||
Rossini: La Cenerentola: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 147 BPM |
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