My Guy's Come Back
Ray McKinley, Mel Powell, June Christy, Stan Kenton, The Stan Kenton Orchestra
Kenton, Stan: Macgregor Transcriptions, Vol. 5 (1944-1945)
2:36 February 1, 2004
BPM
185
Key
F Minor
Camelot
4A

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My Guy's Come Back - Ray McKinley, Mel Powell, June Christy, Stan Kenton, The Stan Kenton Orchestra Information

Acousticness
81%
Danceability
50%
Energy
27%
Instrumentalness
0%
Liveness
33%
Loudness
72%
Speechiness
9%
Valence
96%
Popularity
Loudness
-16.537 dB

Summary

On February 1, 2004, the song "My Guy's Come Back" was released by Ray McKinley, Mel Powell, June Christy, Stan Kenton, The Stan Kenton Orchestra. The duration of My Guy's Come Back is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. My Guy's Come Back's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stan Kenton, The Stan Kenton Orchestra's "Kenton, Stan: Macgregor Transcriptions, Vol. 5 (1944-1945)" album is number 13 out of 21. On top of that, Hong Kong appears to be the country where this track was created. The popularity of My Guy's Come Back is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

My Guy's Come Back BPM

We consider the tempo marking of My Guy's Come Back by Ray McKinley, Mel Powell, June Christy, Stan Kenton, The Stan Kenton Orchestra to be Presto (very, very fast) because the track has a tempo of 185 BPM, a half-time of 92BPM, and a double-time of 370 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

My Guy's Come Back Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
HKI190302413
Label
L-M Records/RCA Records

Section: 0.4512033462524414

End: 0.4553244113922119