"Vocalise - Étude (en forme de habañera)" by Maurice Ravel, Mischa Maisky, Pavel Gililov was released on September 30, 2022. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 98 out of 100 in An Evening of Classical: Ravel by Maurice Ravel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Vocalise - Étude (en forme de habañera)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vocalise - Étude (en forme de habañera) by Maurice Ravel, Mischa Maisky, Pavel Gililov is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim | A Major | 4 | 11B | 148 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Sur L'herbe | Laurent Naouri, David Abramovitz, Maurice Ravel | F♯ Minor | 0 | 11A | 72 BPM | ||
Fantasiestücke, Op.73 (1995 - Remaster): I. Zart und mit Ausdruck | Robert Schumann, Jacqueline du Pré | F Major | 0 | 7B | 144 BPM | ||
Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | F Minor | 1 | 4A | 83 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | A Major | 1 | 11B | 80 BPM | ||
24 Preludes For Piano, Op.11: No. 12 In G Sharp Minor | Alexander Scriabin, Yuja Wang | A♭ Minor | 0 | 1A | 73 BPM | ||
Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Bertrand Chamayou | B Major | 0 | 1B | 69 BPM | ||
An die Musik, D.547 (Arr. Cello & Piano) | Franz Schubert, Lynn Harrell, Bruno Canino | D♭ Major | 1 | 3B | 109 BPM |
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