"Blow #2" by Tibor Szemző was released on 1998. Since Blow #2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Relative Things: Selected Soundscapes (1994-97)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Blow #2's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Blow #2 by Tibor Szemző having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ee Chê | Anna Homler, Steve Moshier | B♭ Minor | 9 | 3A | 119 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
Eros Never Stops Dreaming | Richard Horowitz | D Major | 2 | 10B | 97 BPM | ||
A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
Piano Quintet: V. Moderato pastorale | Alfred Schnittke, Roland Pöntinen, Tale Quartet | A♭ Major | 0 | 4B | 53 BPM | ||
To the Right the Enemy, To the Left the Sea | Simon Rackham | D♭ Major | 2 | 3B | 160 BPM | ||
Never Were the Way She Was | Colin Stetson, Sarah Neufeld | A Minor | 4 | 8A | 126 BPM | ||
The Unquestioned Answer | Laurie Spiegel | A♭ Major | 0 | 4B | 71 BPM | ||
Louva-A-Deus "Mantis" | Fabiano Do Nascimento | A Major | 6 | 11B | 78 BPM | ||
Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM |
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