On January 1, 2006, the song "Finland" was released by Vienna State Opera Orchestra. With Finland being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "National Anthems Of The World". In this album, this song's track order is #16. Based on our statistics, Finland's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Finland by Vienna State Opera Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203, Act I: Act I: Mesicku na nebi hlubokem (Rusalka) | Antonín Dvořák, Gabriela Beňačková, Vienna State Opera Orchestra, Václav Neumann | F♯ Major | 0 | 2B | 175 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Eljen a Magyar, Op.332 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 142 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | F Major | 2 | 7B | 91 BPM | ||
Violin Concerto in E-Flat Major, Op. 8, No. 5, RV 253, "La tempesta di mare": I. Presto | Antonio Vivaldi, Julian Olevsky, Vienna State Opera Orchestra, Hermann Scherchen | E♭ Major | 5 | 5B | 113 BPM | ||
Mascagni: Cavalleria rusticana: Preludio (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 93 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act III, Scene 2: Bacchanale | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra National de Paris | B Major | 2 | 1B | 175 BPM | ||
L'Estro Armonico, Op. 3, Concerto No. 6 in A Minor for violin and strings, RV356:. i. Allegro | Vivaldi, Jan Tomasow, Herman Nordberg, Vienna State Opera Orchestra, Mario Rossi | G Minor | 3 | 6A | 162 BPM | ||
Aus Italien, Op. 16: 4. Neapolitanisches Volksleben | Richard Strauss, Berliner Philharmoniker, Riccardo Muti | B♭ Major | 3 | 6B | 93 BPM | ||
Grande messe des morts, H 75: IV. Rex tremendae | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic Choir | E Major | 1 | 12B | 76 BPM |
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